One of the most celebrated political leaders of our time, Nelson Mandela has been written about by many biographers and historians. But in one crucial area, his life remains largely untold: his marriage to Winnie Madikizela-Mandela.

During his years in prison, Nelson grew ever more in love with an idealised version of his wife, courting her in his letters as if they were young lovers frozen in time. But Winnie, every bit his political equal, found herself increasingly estranged from her jailed husband’s politics.

Behind his back, she was trying to orchestrate an armed seizure of power, a path he feared would lead to an endless war. Jonny Steinberg tells the tale of this unique marriage – its longings, its obsessions, its deceits – making South African history a page-turning political biography.

Winnie and Nelson is a modern epic in which trauma doesn’t affect just the couple at its centre, but an entire nation. It is also a Shakespearean drama in which bonds of love and commitment mingle with timeless questions of revolution, such as whether to seek retribution or a negotiated peace.

Steinberg reveals, with power and tender emotional insight, how far these forever-entwined leaders would go for each other and where they drew the line. For in the end, both knew theirs was not simply a marriage, but a struggle to define anti-apartheid policy itself.

From one of South Africa’s foremost nonfiction writers, a deeply researched, shattering new account of Nelson Mandela’s relationship with Winnie Madikizela-Mandela. Drawing on never-before-seen material, Steinberg reveals the fractures and stubborn bonds at the heart of a volatile and groundbreaking union, a very modern political marriage that played out on the world stage. One of the most celebrated political leaders of the twentieth century, Nelson Mandela has been written about by many biographers and historians. But in one crucial area, his life remains largely untold: his marriage to Winnie. During his years in prison, Nelson grew ever more in love with an idealised version of his wife, courting her in his letters as if they were young lovers frozen in time. But Winnie, every bit his political equal, found herself increasingly estranged from her jailed husband ’ s politics. Behind his back, she was trying to orchestrate an armed seizure of power, a path he feared would lead to an endless civil war. Jonny Steinberg tells the tale of this unique marriage – its longings, its obsessions, its deceits – turning the course of South African history into a page-turning political biography. Winnie & Nelson is a modern epic in which trauma doesn’t just affect the couple at its centre, but an entire nation. It is also a Shakespearean drama in which bonds of love and commitment mingle with timeless questions of revolution, such as whether to seek retribution or a negotiated peace. Told with power and tender emotional insight, Steinberg reveals how far these forever entwined leaders would go for one another, and also, where they drew the line. For in the end both knew theirs was not simply a marriage, but a contest to decide how apartheid should be fought.

In January 1991, when civil war came to Mogadishu, the capital of Somalia, two-thirds of the city's population fled.

Among them was eight-year-old Asad Abdullahi. His mother murdered by a militiaman, his father somewhere in hiding, he was swept into the great wartime migration that scattered the Somali people throughout sub-Saharan Africa and the world.

Serially betrayed by the people who promised to care for him, Asad lived his childhood at a sceptical remove from the adult world, his relation to others wary and tactical.

By the time he had reached the cusp of adulthood, Asad had honed an array of wily talents. At the age of seventeen, in the Ethiopian capital Addis Ababa, he made good as a street hustler. He also courted the famously beautiful Foosiya and, to the astonishment of his peers, married her.

Buoyed by success in work and in love, Asad put $1 200 into his pocket and made his way down the length of the African continent to Johannesburg, South Africa. And so began a shocking adventure in a country richer and more violent than he could possibly have imagined.

A Man of Good Hope is the story of a person shorn of the things we have come to believe make us human - personal possessions, parents, siblings. And yet Asad's is an intensely human life, one suffused with dreams and desires and a need to leave something of permanence on this earth.

WINNER OF THE SUNDAY TIMES ALAN PATON AWARD

In the spring of 1999, in the beautiful and seemingly tranquil hills of the KwaZulu-Natal midlands, a young white farmer is shot dead on the dirt road running from his father's farmhouse to his irrigation fields. The murder is the work of assassins rather than robbers.

Journalist Jonny Steinberg travels to the midlands to investigate. It is clear that the young white man is not the only one who will die and that the story of his and other deaths will illuminate a great deal about the early days of post-apartheid South Africa.

Midlands is a triumph of literary investigative journalism.

WINNER OF THE WINDHAM-CAMPBELL LITERATURE PRIZE 2013

WASHINGTON POST BOOK OF THE YEAR

At the end of a steep gravel road in one of the remotest corners of South Africa's Eastern Cape lies the village of Ithanga. Home to a few hundred villagers, the majority of them unemployed, it is inconceivably poor. It is to here that award-winning author Jonny Steinberg travels to explore the lives of a community caught up in a battle to survive the ravages of the greatest plague of our times, the African AIDS epidemic.

He befriends Sizwe, a young local man who refuses to be tested for AIDS despite the existence of a well-run testing and anti-retroviral programme. It is Sizwe's deep ambivalence, rooted in his deep sense of the cultural divide, that becomes the key to understanding the dynamics that thread their way through a terrified community.

As Steinberg grapples to get closer to finding answers that remain just out of reach, he realizes that he must look within himself to unlock the paradoxes at the heart of his country.

WINNER OF THE SUNDAY TIMES ALAN PATON AWARD

On 9 June 2003, a 43-year-old coloured man named Magadien Wentzel walked out of Pollsmoor Prison in Cape Town. Behind him lay a lifelong career in the 28s, South Africa's oldest and most reviled prison gang, for decades rumoured to have specialised in rape and robbery. In front of him lay the prospect of a law-abiding future, and life in a household of eight adults and six children, none of whom earned a living. Jonny Steinberg met Wentzel in prison in the dying months of 2002. By the time Wentzel was released, he and Steinberg had spent more than 50 hours discussing his life experiences.

The Number is an account of their conversations and of Steinberg's journeys to the places and people of Wentzel's past. Wentzel had lived a bewilderingly schizophrenic life, wandering to and fro between three worlds: the arcane universe of prison gangs, steeped in a mythology of banditry and retribution, where he was known as JR; the fringes of South Africa's criminal economy, where he lived by a string of stolen names and learned the arts of commercial fraud; and his scattered family which eked out a living int the coloured ghettos of the Cape flats. The Number visits each of those worlds in turn. It is a tale of modern South Africa's historic events seen through the eyes of the country's underclass.

Surprisingly, perhaps, it is neither a story of passivity nor despair, but of beguiling ingenuity and cool cynicism. Most of all, the book is an account of memory and identity, of Wentzel's project to make some sense of his bewildering past and something worthy of his future. When Steinberg met him, Wentzel was embarking on a quest to retrieve the name he had been given at birth. He was also beginning the daunting task of gathering together the estranged children he had sired into a nuclear family. It was an eccentric and painful venture for a man with his past, but it has led him to construct an account of himself that begs to be told.

A single moment can change a life forever… A van full of men armed with AK47s is stopped by two policemen while driving through Bethlehem in the Free State. They open fire on the policemen and, from that moment, their lives are irrevocably changed. So to for Fusi Mofokeng, resident of Bethlehem, who was not at the scene of the crime but was the brother-in-law of one of the perpetrators. He is accused of being an accomplice and tried, sentenced and jailed.

Nineteen years later, in 2011, Fusi is released into a world that has changed beyond recognition, a world in which his mother, father and brother have all died. Throughout his incarceration he fought for his release, appearing before the TRC, and schooling himself in law. Even today, he seeks a presidential pardon.

It is to this life that award-winning author Jonny Steinberg turns his attention in One Day in Bethlehem. In examining the life and struggle of Fusi Mofokeng, Steinberg shines a searing light on the burden of the 'everyman' in his quest for justice. In doing so, he also captures a country as it violently sheds the skin of the past to emerge, blinking, into the modern era.

‘Gripping and profoundly moving’ DAMON GALGUT ‘Deft and operatic’ OBSERVER From one of South Africa’s foremost nonfiction writers, a deeply researched, shattering new account of Nelson Mandela’s relationship with Winnie Madikizela-Mandela. Drawing on never-before-seen material, Steinberg reveals the fractures and stubborn bonds at the heart of a volatile and groundbreaking union, a very modern political marriage that played out on the world stage. One of the most celebrated political leaders of the twentieth century, Nelson Mandela has been written about by many biographers and historians. But in one crucial area, his life remains largely untold: his marriage to Winnie. During his years in prison, Nelson grew ever more in love with an idealised version of his wife, courting her in his letters as if they were young lovers frozen in time. But Winnie, every bit his political equal, found herself increasingly estranged from her jailed husband ’ s politics. Behind his back, she was trying to orchestrate an armed seizure of power, a path he feared would lead to an endless civil war. Jonny Steinberg tells the tale of this unique marriage – its longings, its obsessions, its deceits – turning the course of South African history into a page-turning political biography. Winnie & Nelson is a modern epic in which trauma doesn’t just affect the couple at its centre, but an entire nation. It is also a Shakespearean drama in which bonds of love and commitment mingle with timeless questions of revolution, such as whether to seek retribution or a negotiated peace. Told with power and tender emotional insight, Steinberg reveals how far these forever entwined leaders would go for one another, and also, where they drew the line. For in the end both knew theirs was not simply a marriage, but a contest to decide how apartheid should be fought.

The SAGE Handbook of Global Policing examines and critically retraces the field of policing studies by posing and exploring a series of fundamental questions to do with the concept and institutions of policing and their relation to social and political life in today's globalized world. The volume is structured in the following four parts: Part One: Lenses Part Two: Social and Political Order Part Three: Legacies Part Four: Problems and Problematics. By bringing new lines of vision and new voices to the social analysis of policing, and by clearly demonstrating why policing matters, the Handbook will be an essential tool for anyone in the field.

When Asad was eight years old, his mother was shot in front of him. With his father in hiding, he was swept alone into the great wartime migration that has scattered the Somali people throughout the world. This extraordinary book tells Asad's story. Serially betrayed by the people who promised to care for him, Asad lived his childhood at a sceptical remove from the adult world, living in a bewildering number of places, from the cosmopolitan streets of inner-city Nairobi to towns deep in the Ethiopian desert. By the time he reached the cusp of adulthood, Asad had made good as a street hustler, brokering relationships between hardnosed Ethiopian businessmen and bewildered Somali refugees. He also courted the famously beautiful Foosiya, and married her, to the astonishment of his peers. Buoyed by success in work and in love, Asad put $1,200 in his pocket and made his way down the length of the African continent to Johannesburg, whose streets he believed to be lined with gold. So began an adventure in a country richer and more violent than he could possibly have imagined. A Man of Good Hope is the story of a person shorn of the things we have come to believe make us human - personal possessions, parents, siblings. And yet Asad's is an intensely human life, one suffused with dreams and desires and a need to leave something of permanence on this earth.

At the age of twenty-nine, Sizwe Magadla is among the most handsome, well-educated, and richest of the men in his poverty-stricken village. Dr. Hermann Reuter, a son of old South West African stock, wants to show the world that if you provide decent treatment, people will come and get it, no matter their circumstances.

Sizwe and Hermann live at the epicenter of the greatest plague of our times, the African AIDS epidemic. In South Africa alone, nearly 6 million people in a population of 46 million are HIV-positive. Already, Sizwe has watched several neighbors grow ill and die, yet he himself has pushed AIDS to the margins of his life and associates it obliquely with other people's envy, with comeuppance, and with misfortune.

When Hermann Reuter establishes an antiretroviral treatment program in Sizwe's district and Sizwe discovers that close family members have the virus, the antagonism between these two figures from very different worlds -- one afraid that people will turn their backs on medical care, the other fearful of the advent of a world in which respect for traditional ways has been lost and privacy has been obliterated -- mirrors a continent-wide battle against an epidemic that has corrupted souls as much as bodies.

A heartbreaking tale of shame and pride, sex and death, and a continent's battle with its demons, Steinberg's searing account is a tour-de-force of literary journalism.

At the end of a steep gravel road in one of the remotest corners of South Africa's Eastern Cape lies the village of Ithanga. Home to a few hundred villagers, the majority of them unemployed, it is inconceivably poor. It is to here that award-winning author Jonny Steinberg travels to explore the lives of a community caught up in a battle to survive the ravages of the greatest plague of our times, the African AIDS epidemic. He befriends Sizwe, a young local man who refuses to be tested for AIDS despite the existence of a well-run testing and anti-retroviral programme. It is Sizwe's deep ambivalence, rooted in his deep sense of the cultural divide, that becomes the key to understanding the dynamics that thread their way through a terrified community. As Steinberg grapples to get closer to finding answers that remain just out of reach, he realizes that he must look within himself to unlock the paradoxes at the heart of his country.

In the 1980s, South Africa townships exploded in insurrection led by youth and residents' organizations that collectively became known as the "civics movements." Yet it has been difficult for the civics movements to find a place for itself in the post-apartheid order it helped to create. This book charts the rise and fall of the movement in the transistion to, and the consolidation of, a democracy in South Africa.